Category Archives: Rights Reversion

Spotlight on Open Access and Academic Publishing:
A Q&A With Eric von Hippel

Posted August 15, 2017

headshot of Eric von Hippel

Just in time for the 2017 back-to-school season, we’re featuring a series of posts on alternatives to traditional publishing models. Earlier this year, Authors Alliance advisory board member and MIT professor Eric von Hippel released his book Free Innovation under a Creative Commons license—the newest addition to his online collection of freely available works. We asked him about his experiences with rights reversion, open access, and how academic authors and publishers can help to make books openly available.

Authors Alliance: You successfully regained the rights to your 1988 book The Sources of Innovation from Oxford University Press (OUP). How did you secure a reversion of rights? What have you been able to do with your book since reversion?

Eric von Hippel: When I contracted with OUP for my first book in the 1980s, I was not aware of open access as a possibility, so I simply signed a standard contract giving all rights to OUP. About 20 years later, I had become very interested in open access. I therefore asked OUP to allow me to conduct an experiment. OUP would allow me to post a free electronic version on my MIT website. If hard copy sales declined in the next period, I would pay OUP $1,000 as compensation for lost sales. If they went up, OUP would keep the profits and allow me to keep posting the free version. OUP agreed to these terms. Happily, sales of printed copies went up, so I was able to keep posting the free version from then on.

With respect to actually getting back the copyright for Sources of Innovation so I could go fully open access: About 5 years ago, my excellent activist OA colleagues (thanks especially to Ellen Finnie Duranceau of MIT) told me that I had a window of time in which I could get the copyright returned to me. That window was fast-approaching in the case of my 1988 book, so I simply wrote to my editor at OUP, asking him to give me back the copyright without my having to go through the formal process as dictated by the law. Sales were low at that point, so he simply said “fine,” and wrote me a letter transferring all rights back to me.

AuAll: We’ve written previously about MIT Press’ pioneering approach to open access. To date, you’ve published two books with MIT: Democratizing Innovation and Free Innovation. Your publication contract with MIT gave you the right to post free ebooks from the very beginning, ensuring that both books were “born open access.” Based on your experience, can you offer some advice to other authors—and publishers—who want to embrace this model?

EvH: In response to your question, I talked to my editor at MIT Press to see if they had by now evolved a standard set of OA practices. Turns out they have not. They are still experimenting. Sometimes, depending on specifics of a book—for example, is it a textbook?—their experiments result in negative financial consequences for the Press relative to their sales projections. Sometimes the consequences are financially quite acceptable. Things are also changing quite rapidly in terms of book-reading behaviors. Specifically with respect to my own books with MIT Press, the 2005 book had very acceptable print sales despite the availability of a free eBook version. The jury is still out on my new 2017 book.

Frankly, these days authors have to insist on an open access eBook option if they are to have a hope of getting a publisher to agree. And, they very well might be turned down even if they do insist. As we know, academic presses are not hugely profitable, and they cannot afford to take big risks. I have a feeling that a standard OA option that may emerge in the end will be something like the model now increasingly offered by publishers of academic articles: If authors want open access, they may increasingly have to agree to pay a fee to compensate publishers for (possibly) lower print copy sales.

AuAll: How did you select which Creative Commons license to apply to these books?

EvH: I really did not know which one to use—I just sort of chose the license others seemed to be using without really understanding the pros and cons. I will be able to make a more informed choice using information supplied by Authors Alliance by the time decision-making for my next book comes around. [Chapter Four of Authors Alliance’s guide to Understanding Open Access has additional information about selecting an open access license.]

AuAll: What results do you see from publishing your books openly? What do you see as the pros and cons of embracing this model?

Like most academic authors, I write books to have them read, not to earn royalties. The increase in readership I have experienced by going OA is really worth it to me—it makes me very happy. Evidence to date is that about 10 times more eBooks are downloaded than print copies are sold, so I guesstimate that I am reaching about 10 times more people with the ideas I find exciting than I could have done in the pre-OA era. It especially makes me happy that now teachers can assign even a single chapter of one of my books in a class in a developing country if they wish, without worrying about burdening students with any purchase costs.

Personally, I don’t see any negatives with respect to going OA—only positives. I actually feel very proud that I can contribute to my colleagues and to scholarship in this enhanced way. I am very grateful to the Authors Alliance for making it easier for me and many others to accomplish an Open Access outcome.

AuAll: Do you have any other suggestions for authors on how they can make their works available in the ways that they want?

EvH: Open Access is a wonderful goal—but as a young academic, please don’t feel guilt or failure if you cannot negotiate open access agreements right from the start. At the beginning of an academic career, very few of us have much leverage with publishers to negotiate for open access. Certainly, in the case of my first book I was at the start of my academic work and had zero leverage. In fact I was just very happy to get published by a good academic press like OUP, and would have signed pretty much any “standard terms” they asked for.

If this is your case too, I would urge you not to feel badly if you have to sign a traditional contract assigning all rights to your publisher. Better to survive the academic rites of passage. You will have a long academic career, and will have increasing abilities to demand and negotiate open access for your work as your reputation grows.

AuAll: We are honored to count you among the advisory board members of Authors Alliance. Thank you for sharing your experiences with our readers!

EvH: I am totally proud to serve on the Advisory Board. Pam Samuelson, as we all know, was a crucial founding member of Authors Alliance. She was the one who asked me to join. In my experience, Pam has wonderful instincts about what will help scholars and scholarship with respect to openness, and I signed on to support both her and this wonderful idea.

(As a side story in closing—I should mention that I tend to regard Pam Samuelson as akin to an unstoppable force of nature when she gets behind something she believes in. I still remember hearing about and worrying about the (ultimately defeated) proposed settlement between Google and commercial publishers a few years back. At a certain point, Google felt the agreement was in the bag. They then began sending lawyers around around the country to inform academic authors and others about how we could expect to function in the new world they envisioned. Indeed, they said, they were sure we would learn to love that new world over time. In fact, many academics were strongly against that proposed settlement for very good reasons, but things looked very bleak for the resistance at that time.

Then one day I heard that Pam had taken up the cause and was working hard against it with a few others. To the inexperienced eye, Pam and her colleagues were a small and lonely academic crew against mighty Google legal phalanxes that extended to the horizon like an endless sea of Orcs. However, as soon as I heard Pam was in the fight I immediately relaxed. Indeed, I remember thinking as I listened to a talk at the Boston Public Library by the very confident Google lawyers: Can’t they see what is coming next? Don’t they know they are now the walking (actually, limousine-riding) dead—about to experience the equivalent of the Lord of the Rings Ghost Army?)

So, in sum: Right on Pam, and right on, Authors Alliance! Keep it up! We are proud to be in this battle for Open Access with you!

Eric von Hippel is T. Wilson Professor of Innovation Management at the MIT Sloan School of Management, and is also Professor of Engineering Systems at MIT.  von Hippel graduated from Harvard College (BA), MIT (MS), and Carnegie Mellon University.  He is the recipient of three honorary doctorates, and numerous honors and academic prizes, such as the Humboldt Foundation Research Prize (2013), and the EU “Innovation Luminary” Award in 2015. 

von Hippel is known for his research into the sources of and economics of innovation. He has written three books on these topics, and also has published many articles in innovation management, ranging from the theoretical to the very practical.  Digital copies of all his books can be downloaded for free online from his MIT website at https://evhippel.mit.edu/books/

Rights Reversion: Restoring Knowledge and Culture, One Book at a Time

Posted July 25, 2017

ALA District Dispatch LogoThe following post originally appeared on the American Library Association‘s District Dispatch blog on July 18. Thanks to Carrie Russell, Director of the Program on Public Access to Information at the ALA, for helping us to share information about Authors Alliance and rights reversion with the library community!

For many of us, it’s an all-too-familiar scenario: We’re searching for a book that’s fallen out of print and is unavailable to read or purchase online. Maybe it’s an academic text, with volumes held in only a few research library collections and all but inaccessible to the public. Or maybe it’s one of the many 20th-century books whose initial commercial life has ended, and whose copyright status means they have disappeared. Most of these books were published long before the advent of the Internet, or of e-books. Finding and accessing these volumes can be frustrating and time-consuming, even with the benefit of interlibrary loan. There’s all this valuable knowledge and culture out there, but we can’t get to it!

Wouldn’t it be great if there were some mechanism to give new life to the many books that have been “locked away,” to make them newly available, and to share them with new audiences?

Thanks to rights reversion, there is a way! Reversion enables authors to regain the rights to their previously published books, so that they can make them newly available in the ways they want. Some authors may want to bring their out-of-print books back into print, while others may want to deposit their books in open access online repositories. Still others might want to update their works, create e-book versions with multimedia resources, or commission translations.

A “right of reversion” is a contractual provision that permits authors to work with their publishers to regain some or all of the rights in their books when certain conditions are met. But authors may also be able to revert rights even if they have not met the triggering conditions in their contract, or if their contracts do not have a reversion clause at all! Reversion can be a powerful tool for authors, but many authors do not know where to start.

That’s where Authors Alliance comes in. We’re a non-profit education and advocacy organization whose mission is to facilitate widespread access to works of authorship by assisting authors who want to share knowledge and products of the imagination broadly. We provide information and tools designed to help authors better understand and manage key legal, technological, and institutional aspects of authorship in the digital age.

Our Guide to Understanding Rights Reversion was written to help authors navigate the reversion process. (Check out the rights reversion portal on our website to download or buy the guide, and for more resources including letter templates for use in contacting publishers about reversion). Since we released the guide two years ago, we’ve featured a number of reversion success stories. For example, Robert Darnton (professor emeritus at Harvard and a founding member of Authors Alliance) worked with his publisher to regain rights to two of his books about the French Enlightenment, and he has made them freely available to all via HathiTrust and the Authors Alliance collection page at the Internet Archive. Novelist and Authors Alliance member Tracee Garner successfully leveraged reversion to regain the rights to two of her previously published books. She’s currently working on a third volume, and she plans to release all three as a new trilogy.

Rights reversion has a great deal of potential to help authors and the public, and librarians are in an excellent position to help spread the word about reversion. Many senior academics have decades’ worth of scholarly books, many of which may be out of print and locked away in inaccessible library stacks. None of them are available online. Rights reversion can be a way to help authors ensure their intellectual legacy, while also bring their works to new audiences.

Reversion is good for authors, good for publishers, and good for the public interest. You can learn more by visiting our website, where we invite you to become a member of Authors Alliance! Basic membership is free, and our members are the first to hear of new resources, such as our forthcoming guide to fair use and our guide to publication contracts. We also feature news on copyright policy and advocacy.

If you have questions about rights reversion, we can be reached at reversions@authorsalliance.org. We’d also love to hear about your experiences with assisting authors with these issues—who knows, maybe yours could be the next rights reversion success story!

 

Rights Reversion Success Story:
Tracee Lydia Garner

Posted April 19, 2017

Just in time for the second anniversary of our Guide to Understanding Rights Reversion, we’re pleased to feature Authors Alliance member Tracee Garner’s success story. Since gaining back the rights to two of her previously published novels, she’s resumed work on her Jameson Trilogy, due to be published next spring. We met with Tracee at the AWP conference in Washington, DC, earlier this year, and she generously shared her rights reversion experience with us in the following Q&A.

Novelist and Authors Alliance member Tracee Lydia Garner

AUTHORS ALLIANCE: What first motivated you to get the rights back to your previously published novels?

TRACEE LYDIA GARNER:  I hadn’t really thought of reversion until I heard other authors asking how to go about it. Then I went to a conference in 2015, and a young woman came up to me and asked me if I would ever write Jojo’s story [the continuation of a character featured in her previous books.]  I admit that at first, I was annoyed—not so much at her, but more at myself, because I hadn’t finished with him, and I secretly did want to!

Then I had to look at how I could make it happen. If I was going to write Jojo’s story, I wanted to fold it in with my earlier books, update the covers and content, and release them as a new set, since any marketer will tell you that sets do very well. But in that case, I had to ensure that I could get the rights to those earlier books back. And then I had to get new ISBNs and do a bit of reload and relaunch to make it all work. All of that was the catalyst for formally requesting my rights.

AuAll: How did you go about requesting a rights reversion?

TLG: First, I researched online about writing a reversion letter to my publisher. Then I had to dig out my almost twenty-year-old contract and figure out whom to contact. (When you have one of the largest publishers in the world, with offices in NYC and Canada, it seems like real investigative journalism!) Contracts are very intimidating, and you have no desire to revisit it at all. You resist (and our creative minds can even make it more difficult than it has to be).

Once I figured out the jargon, found a sample letter online, and tracked down the right contact people (or their replacements), I e-mailed my request to my publisher. Then I waited (a good little bit)! I think I re-sent the letter at least once, saying “Hey, over here.” It took months until I got the letter saying that I had, in fact, fulfilled my seven-year contractual obligations. Very official!

AuAll: So you were eligible to exercise a clause in your contract granting reversion rights?

TLG: Yes, my contract was for a term of seven years. After seven years had passed, they were my books in theory, but it’s never good to assume, so I made the request to ensure that I received appropriate documentation to that effect. With the influx of digital rights and an ability to make use of ebook versions and audio versions, it’s important to be certain you are cleared for these kinds of rights, too. Be sure there was no addendum to your contract that permitted your publishers to hold onto these rights, and only revert some of the parts back to you.

AuAll: Did you face any obstacles in getting your rights back? Is there anything you wish you’d known going into the process?

TLG: The hardest part was finding the words to use and finding the appropriate persons to contact. Reversion doesn’t seem commonplace, at least not yet. Who would’ve thought we could ask for our rights back, repackage, edit, slap on a new cover (after design headaches, of course!), add new ISBNs, relaunch…and voila! New audience, new eyes, new readers. But there is also something intimidating about rights being returned to you. Rights back? For what? What do I do with them?

I imagine that at least some writers might have thought that ABC Publishing Company would publish forever and we’d all be fortunate enough to collect royalties like the estate holders for Michael Jackson and Elvis and all the popular TV shows and radio artists—only to find out that no, it doesn’t work like that!

AuAll: What advice do you have for other authors who might want to pursue a reversion of rights?

TLG: Remember that someone has already been through every incident you could possibly think of. Even though we sometimes feel like we write alone in our little caves, there are people out there to help. And it is worth the effort!

AuAll: How has reversion helped you? What have you been able to do with your book since reversion?

TLG: I had written two books in a planned trilogy, but I never finished the series. So I will be editing and repackaging the two books that I have back. I am finishing the third installment now. Fixing the books is no small feat, but the excitement of having a new trilogy propels me toward completion. It’s very exciting that, thanks to reversion, your characters get a second life, as does your career overall.

Tracee Lydia Garner is a bestselling, award-winning author. Her sixth book, the romantic suspense novel Deadly Affections, was released in March 2017. Born and raised in a suburb of the Washington DC metro area, Tracee works in health and human services, and is a speaker and advocate for people with disabilities. Her forthcoming Jameson Trilogy—made possible thanks to rights reversion—is scheduled to debut next spring. Find Tracee on the web at www.Teegarner.com.

Authors, if Tracee’s success story has inspired you to consider reverting rights to your previously published work, you don’t have to start from scratch! We’ve already done much of the preliminary work for you. Visit the Authors Alliance Rights Reversion Portal, where you’ll find our complete Guide to Understanding Rights Reversion, as well as letter templates for use in contacting your publisher, plus a collection of reversion success stories.

If you value our work and are not yet a member of Authors Alliance, please consider joining today. Basic membership is free, and our members are the first to hear about our latest tools and resources.

Authors Alliance Partners With the Internet Archive to Make Books Available

Posted October 26, 2016

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Since the release of our guide to Understanding Rights Reversion in 2015, we have featured a number of “Rights Reversion Success Stories”—books that have been given a new life thanks to their authors’ efforts to regain publication rights and share their work widely.  Many of our members’ titles are already discoverable through the HathiTrust digital library, and we are now partnering with San Francisco-based Internet Archive to make public domain and Creative Commons-licensed works available in full on our new Authors Alliance Collection.

If you’re interested in making your own works more available, see our Resources page for information about rights reversion and open access. We also encourage you try out the beta of our brand-new Termination of Transfers engine—a step-by-step tool developed in partnership with Creative Commons that can help with regaining rights. Internet Archive has also created a handy DIY Guide to Sharing Your Book, with a list of handy links.

And if you have already regained rights to your previously published book(s) and would like to feature them in the Internet Archive, contact us! We can help our members sort out the details, including the scanning and ingest of pre-digital works.

We’re thrilled to be partnering with the Internet Archive on this initiative. Contact us to get started, and help us build the Authors Alliance collection page in the Internet Archive!

After Reversion: Tracking Down Digital Copies

Posted May 20, 2016

After you get your rights back with Understanding Rights Reversion, how will you make your work newly available? The internet offers no shortage of ways to disseminate your work, but it’s still not necessarily easy to see your work successfully placed in all the channels you would like. Authors Alliance is committed to helping its members take full advantage of the digital age’s promise for their recovered works, and this online guide is part of a series designed to help them with that goal.

Last updated: 2016-10-13

So you have your rights back, and have big dreams about what you’ll do next. Release your work as an open access title—something that was perhaps unimaginable when it was originally published? Maybe convert it into an “enhanced” electronic version? Update it for release as a new edition?

Before doing any of these, you will need a digital version of the text. Do you have one? If not, don’t panic: there’s more than one way to get your work back out there.

Step 1: Can your publisher provide a copy?

As we stress in Understanding Rights Reversion, recovering rights to an out-of-print or otherwise unavailable title does not have to be an adversarial or acrimonious process. While your publisher is not likely under an obligation to furnish you with any digital copies in their possession, they might nevertheless do so out of goodwill.

Contract Drafting Tip: you can include a commitment from the publisher to furnish you with digital copies of your work in the case of a reversion. Consider doing so!

Your own word processing files, or those recovered from your publisher, will be the easiest and best way to make your reverted work available because modern files can be painlessly converted to the most popular e-reading formats. But there’s still hope even if you don’t have that advantage.

Step 2: Find and “unlock” other existing digital versions

Authors Alliance has written many times before about how mass digitization efforts benefit authors by making their work more discoverable. But there’s an additional advantage for authors looking for digital copies of their work: a scanned copy of the document might already exist as the result of a mass digitization effort. Authors with the necessary rights can often work with these projects to see their works “unlocked” and made newly available.

Have documentation regarding your rights reversion on hand to demonstrate your ownership of the necessary rights, and then consider tracking down copies from some of these existing collections:

HathiTrust is a digital library partnership of dozens of academic libraries, containing millions of titles indexed for full-text search. While in-copyright titles are not viewable, individual rights holders can change the availability of their works by filling out a simple permissions form, available here.

In addition to opting to make your work available, the HathiTrust permissions form also helps authors to apply a Creative Commons license to their work. For more information on why you might want to use a Creative Commons license, and the ins and outs of the various choices, take a look at Chapter 4 of our guide, Understanding Open Access.

The HathiTrust process is a simple way to both make your work available, and to gain access to a pre-existing digital copy. Authors Alliance members Robert Darnton, John Kingdon, Joseph Nye, Stephen Sugarman, and others have taken this route.

Google Books is the world’s largest book scanning effort, currently containing tens of millions of volumes. As with HathiTrust, Google does not make in-copyright books available to the public, but instead allows their text to be searched. And, as with HathiTrust, authors who have reverted rights can make their work available through the Google Books service. However, Google’s process is a little more difficult.

First, you’ll need to be a “partner” at the Google Books Partner Center, essentially, signing up as a publisher on the Google platform. Please note that, as of the time of writing, Google is not allowing new sign ups for this platform. However, some of our members have nevertheless been able to secure accounts after talking with Google support.

Once set up with an account, support should be able to link your partner account with your work, and make it available on the terms you request.

Finally, The Internet Archive, the internet’s own non-profit library, is another source that might have a scanned copy of your book. There is not yet a formal process for unlocking books on the Internet Archive, but stay tuned—we’ll be updating this post with more information as we work with them to make the process easy for authors. In the meantime, try reaching out directly to the Archive at info@archive.org with a link to the page containing your work and let them know that you’ve recovered rights and would like to see it unlocked.

Step 3: Scan and OCR your book

If you cannot find an existing digital copy, you can still make one. There are any number of book scanning services out there (a quick web search will turn up many), and the Internet Archive can also both non-destructively scan and host your books.

You may also request that Google scan your book at one of its Library Partners.  According to HathiTrust, you may use this form to make the request. If the book is scanned at a Library Partner that participates in HathiTrust, it will also end up in HathiTrust, at which point you will need to complete the HathiTrust permissions agreement.

When scanning, there are a few things to consider. Some book scanning processes are destructive, resulting in the loss of the book. Not something to do with a rare copy!

You will also want to consider quality. Scanning is simply photographing pages. Those pages can (and should) undergo “optical character recognition” or “OCR,” where the computer works to identify and read text on the page. Better quality scanning helps with quality OCR, which will help give you a more usable, discoverable, and readable document.

Have further questions? Stick around! Further posts in this series will explore where and how works can be posted in order to maximize their discoverability and usability. You can also always email us at reversions@authorsalliance.org, or join us as a member to get our latest updates.

Introducing Our Guide to Crafting a Rights Reversion Letter

Posted April 11, 2016

8315787e-7f20-447b-94eb-172102e71e9fBooks that have fallen out of print, or aren’t selling as well as they used to, can enjoy a second life thanks to rights reversion—the process by which an author may regain control of some or all of her rights in a previously published work.  Thanks to reversion, works can appear online, in new editions, translations, or in other formats chosen by the author. Our Guide to Understanding Rights Reversion is a handy primer on the topic, and now, we are offering alongside it a brief Guide to Crafting a Reversion Letter with the goal of reverting rights. This all-important first step in the reversion process is not always straightforward, and our hope is that this guide (including letter templates) will help authors take the plunge in approaching their publishers to regain their rights. We’d like to thank Nicole Cabrera, Jordyn Ostroff, and Brianna Schofield of the Samuelson Law, Technology, and Public Policy Clinic at UC Berkeley Law for their work in creating this guide.

Visit our Resources page to download our materials for free. While you’re there, be sure to check out our other resources and tools—and let us know about your rights reversion success stories!

The Authors Alliance Guide to Crafting A Reversion Letter

The first step in reverting rights to previously published work is to initiate a conversation with the rightsholder—usually a publisher. This process is not always straightforward, so Authors Alliance has created a concise collection of templates and sample language that may be used as a starting point. The Authors Alliance Guide to Crafting a Rights Reversion Letter (including letter templates) is intended to help authors take the all-important initial step in the rights reversion process. We’d like to thank Nicole Cabrera, Jordyn Ostroff, and Brianna Schofield of the Samuelson Law, Technology, and Public Policy Clinic at UC Berkeley Law for their work in creating this guide, which is a companion to their primer on Understanding Rights Reversion.

A collection of rights management tools is available on our Resources page. Check back often for updates and new information!

Joseph Nye: A Rights Reversion Success Story

Posted January 22, 2016

We are pleased to feature the following guest post by Brianna Schofield, a teaching fellow at UC Berkeley Law and co-author of our Guide to Understanding Rights Reversion.

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Joseph S. Nye is an Authors Alliance member, Harvard University Distinguished Service Professor, and former Dean of the Harvard’s Kennedy School of Government.  He is the author of over a dozen books in the field of international politics and coined the term “soft power.”  In a recent survey of international relations scholars, Professor Nye was ranked as the most influential scholar on American foreign policy.

Notwithstanding Professor Nye’s significant contributions to the fields of political science and international relations, his 1971 book Peace in Parts: Integration and Conflict in Regional Organization fell out of print long ago.  When Professor Nye learned of his colleague Robert Darnton’s success securing the necessary rights to make two of his early books openly accessible, Professor Nye was inspired to see what he could do to get Peace in Parts back in the hands of readers.

Professor Nye was hopeful that his original publishing contract for Peace in Parts might include a reversion clause and that the book’s out-of-print status would trigger a right of reversion.  However, like many authors of decades-old books, Professor Nye could not locate a copy of his publication agreement.  With the help of the Samuelson Law, Technology & Public Policy Clinic at Berkeley Law, Professor Nye contacted the book’s publisher to request a copy of the original contract.  The publisher was also unable to locate a copy of the publication agreement after searching its internal databases and offsite storage facilities.

Happily, the publisher issued a letter making it clear that it claims no rights or interests in Peace in Parts and that it has no objection to Professor Nye making his book available in the ways he wants. After confirming that a subsequent reprint license to a different publisher had expired, Professor Nye was armed with the permission and information he needed to make the book freely available to readers.

Since Peace in Parts was already scanned as a part of the HathiTrust collection, Professor Nye filled out a form asking HathiTrust to unlock the full text of Peace in Parts.  Now, after decades languishing out of print, Peace in Parts is available free of charge online to all readers.  In the interest of reaching as many readers as possible, Professor Nye additionally opted to dedicate the work to the public domain using a CC0 license.

Share your own success story! If you’ve already used our Understanding Rights Reversions guide to make your work more available, please contact us at reversions@authorsalliance.org. We’d love to hear about it.

John Kingdon: A Rights Reversion Success Story

Posted December 8, 2015

We are pleased to feature the following guest post by Nicole Cabrera and Jordyn Ostroff, students at UC Berkeley Law and authors of our Guide to Understanding Rights Reversion.

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John W. Kingdon is Professor Emeritus of Political Science at the University of Michigan in Ann Arbor. He is the author of several books on political science and public policy, including the influential Agendas, Alternatives, and Public Policies, which received the 1994 Aaron Wildavsky Award from the public policy section of the American Political Science Association.

In 1968, Random House published Candidates for Office: Beliefs and Strategies, a revised version of Professor Kingdon’s dissertation. Although the book was well publicized at the time, Candidates for Office has been out of print for several decades now. Professor Kingdon learned about Authors Alliance’s rights reversion campaign from his former University of Michigan student, Authors Alliance co-founder and board member, Molly Van Houweling. Eager to make Candidates for Office available to readers once again, he decided to work with Authors Alliance and the Samuelson Law, Technology & Public Policy Clinic at UC Berkeley to regain the rights in Candidates for Office so he could make it openly accessible to readers online.

Professor Kingdon sent a letter to Random House requesting reversion of rights and was pleased to receive notification just two weeks later that Random House agreed to revert all rights in Candidates for Office to him. Since Candidates for Office had already been scanned and was discoverable through HathiTrust, Professor Kingdon then approached HathiTrust with confirmation that he held the rights in his book. Using this form, he requested that HathiTrust unlock his book to make it fully readable online for free. He also chose to apply the Creative Commons CC BY-NC-ND license to his work so that even more people could discover and read Candidates for Office.

Now, several decades after its initial publication, Candidates for Office is once again available to students, scholars, and all readers, ensuring that Professor Kingdon’s work can continue to contribute to the scholarly discourse for years to come.

Share your own success story! If you’ve already used our Understanding Rights Reversions guide to make your work more available, please contact us at reversions@authorsalliance.org. We’d love to hear about it.

Everybody Wins:
Jeff Hecht’s Rights Reversion Success Story

Posted October 26, 2015

We are pleased to feature the following guest post by Nicole Cabrera and Jordyn Ostroff, students at UC Berkeley Law and authors of our Guide to Understanding Rights Reversion.

fiberoptics

Jeff Hecht is an Authors Alliance member and the author of several books on a wide variety of topics pertaining to science and technology, including lasers, fiber optics, and dinosaurs. Faced with the declining availability of his book, Understanding Fiber Optics, Mr. Hecht worked with his publisher to make it more affordably available to his readers. Mr. Hecht’s story is yet another example of how rights reversions and negotiations with publishers can benefit authors and publishers alike, as well as current and future readers. Part of Mr. Hecht’s experience is featured in the Authors Alliance guide to rights reversion, but since then Mr. Hecht has pursued new ways to increase his book’s availability, and we are excited to share this update with you.

We first spoke with Jeff Hecht in the fall of 2014, while conducting outreach to authors and publishers in preparation for the Understanding Rights Reversion guide. At that time, Mr. Hecht explained to us that Prentice Hall published the fifth edition of Understanding Fiber Optics in 2005. With time, sales of Understanding Fiber Optics slowed and Mr. Hecht was approached about collaborating on a sixth edition. Mr. Hecht brought this proposal to Prentice Hall, but it declined to publish a sixth edition because it did not believe that it could effectively market any new editions of the book. Instead, Prentice Hall agreed to revert to Mr. Hecht the rights to all future editions of Understanding Fiber Optics so that he could try to bring a sixth edition to market independently or with another publisher. Prentice Hall retained the rights to the first five editions, and Mr. Hecht happily got to work on a sixth edition of Understanding Fiber Optics.

This initial success did not mark the end of Mr. Hecht’s and Prentice Hall’s efforts to ensure the continued availability of Understanding Fiber Optics. After reverting rights to future editions of the book, Prentice Hall eventually stopped selling full-length versions of the fifth edition. Instead, Prentice Hall limited distribution of Understanding Fiber Optics to licensing individual chapters of the book for use in college course packets. Since it was important to Mr. Hecht that his book be available in a full-length edition, Prentice Hall agreed to allow him to independently sell full-length copies of the fifth edition subject to one caveat. According to the terms of their agreement, Mr. Hecht must make clear that Prentice Hall had previously published Understanding Fiber Optics but that it is not publishing the full-length version that Mr. Hecht is now selling. Mr. Hecht is happy to oblige, and has created his own small press to publish full-length digital and print-on-demand versions of Understanding Fiber Optics.

Mr. Hecht is quite pleased with how his negotiations with Prentice Hall worked out. Not only does he continue to earn royalties on Prentice Hall’s licensing of individual chapters of Understanding Fiber Optics, but he has also achieved his vision for making his book widely available at an affordable price. In fact, the first purchaser of the digital version of Understanding Fiber Optics was a student in Botswana searching for an affordable introduction to fiber optics. Mr. Hecht told us that he couldn’t think of a better symbol of achieving his goal of making his book more broadly accessible than ever before.

Share your own success story! If you’ve already used our Understanding Rights Reversions guide to make your work more available, please contact us at reversions@authorsalliance.org. We’d love to hear about it.