Category Archives: Blog

Audio Now Available for “Beyond the Bookshelf,” Our 5th Birthday Celebration on May 15, 2019

Posted May 29, 2019

On May 15, Authors Alliance celebrated our 5th birthday with a festive party at the David Brower Center in downtown Berkeley. Our guests braved the unseasonably cool and rainy weather to attend a reception followed by “Beyond the Bookshelf: Empowering Authors and Reaching Readers in the Digital Age,” a wide-ranging panel discussion featuring Brewster Kahle, Jeff MacKie-Mason, Abby Smith Rumsey, and Randy Schekman, and moderated by Authors Alliance’s own Molly Shaffer Van Houweling.

Portrait of Jeff MacKie-Mason, Brewster Kahle, Abby Smith Rumsey, Randy Schekman, and Molly Shaffer Van Houweling.
L to R: Jeff MacKie-Mason, Brewster Kahle, Abby Smith Rumsey, Randy Schekman, and Molly Shaffer Van Houweling
All photos by Jim Block

The discussion was professionally recorded for those who were unable to attend in person. Audio of the panel and Q&A can be heard here, as part of the Authors Alliance collection of works hosted by the Internet Archive.

Photograph of Molly Shaffer Van Houweling giving opening remarks.
Molly Shaffer Van Houweling

The recording begins with opening remarks by Authors Alliance co-founder Molly Shaffer Van Houweling of UC Berkeley Law, and features the following highlights:

Photograph of Abby Smith Rumsey
Abby Smith Rumsey

09:15: Historian Abby Smith Rumsey on changes to the traditional model of books and monographs in scholarship and the role of authors and libraries in the evolution of publishing.

Photograph of Brewster Kahle
Brewster Kahle

17:28: Internet Archive founder Brewster Kahle on the importance of preservation and accuracy of online information at a time when “truth is fractured.”

Photograph of Randy Schekman
Randy Schekman

25:40: Nobel Laureate Randy Schekman on open access scientific literature and how the focus on journal impact factor undermines scholarship and research.

Photograph of Jeff MacKie Mason
Jeff MacKie-Mason

41:22: UC Berkeley University Librarian Jeff MacKie-Mason on commercial scholarly publishers, the upheaval of traditional business models, and the responsibilities of authors, libraries, funders, and institutions to make work open access.

Photograph of panel: Jeff MacKie Mason, Brewster Kahle, Randy Schekman, Abby Smith Rumsey, and Molly Shaffer Van Houweling

At 01:00, the panel convened to discuss a variety of topics, including:

  • Steps authors can take to reach more readers in the midst of change;
  • The University of California’s commitment to open access in the wake of failed negotiations with scholarly publishing giant Elsevier;
  • Challenges and opportunities in the preservation of born-digital materials;
  • And more!

The discussion wrapped up at 01:20 with a brief audience Q&A.

Photograph of Allison Davenport, Brianna Schofield, and Erika Wilson.
Allison Davenport, Brianna Schofield, and Erika Wilson

We are grateful to our distinguished panelists and to all our members and friends who attended the celebration. For those who couldn’t be there in person, we hope you enjoy the recording. Thanks to each and every one of you for supporting our work over the last five years. We look forward to more education and advocacy for authors in the months and years to come.

Keep on writing to be read!

Jason Mazzone on Copyfraud and the Lawsuit Against Getty Images

Posted May 23, 2019
Headshot of Jason Mazzone

We thank Jason Mazzone, the Albert E. Jenner, Jr. Professor of Law at the University of Illinois at Urbana-Champaign, for contributing this guest post.

Copyfraud—false claims of copyright in public domain works—is a persistent problem. False copyright notices appear on modern reprints of Shakespeare’s plays, Beethoven’s piano scores, greeting card versions of Monet’s Water Lilies, and even the U.S. Constitution. Archives claim blanket copyright in everything in their collections. Vendors of microfilmed versions of historical newspapers assert copyright ownership.

These false copyright claims, which are often accompanied by threatened litigation for reproducing a work without the “owner’s” permission, result in users seeking licenses and paying fees to reproduce works that are free for everyone to use. Copyfraud also interferes with lawful distribution of public domain works.

Increasingly, computer bots are responsible. When Scribd users posted the recent Mueller report—a federal government document that cannot be copyrighted by anyone—the website’s filters flagged the report as copyrighted and took it down.   

There are few available remedies for copyfraud. The Copyright Act provides for no civil penalty for falsely claiming ownership of public domain materials. There is also no remedy under the Copyright Act for individuals who wrongly refrain from legal copying or who make payment for permission to copy something they are in fact entitled to use for free. While falsely claiming copyright is technically a criminal offense under the Copyright Act, prosecutions are extremely rare.

A class action lawsuit filed in federal court in Washington now targets Getty Images for selling licenses to images that are in the public domain. The lawsuit alleges that Getty falsely asserts copyrights in public domain images and misleads consumers into believing they must purchase a license from Getty before making use of the images—and that Getty threatens legal action against unauthorized uses of the images it makes available in its database. The lawsuit against Getty asserts claims based on wire fraud under the federal RICO statute and violations of state consumer protection law.

This is new territory and at this early stage of the case it is difficult to assess the likelihood the lawsuit will succeed. Getty is likely to assert that it simply collects images and makes them conveniently available in high-resolution versions and in so doing it does not violate any law. At a minimum, in order to demonstrate fraud, the plaintiffs will need to demonstrate that Getty intentionally misled them into believing it owned copyrights in images and that as a result the plaintiffs paid out an unnecessary copyright licensing fee. Even so, the court might find that there is no legal remedy because Congress did not provide for one in the Copyright Act itself. 

I first wrote about copyfraud more than a decade ago in an article published in the NYU Law Review and then in a book, Copyfraud And Other Abuses of Intellectual Property Law (Stanford University Press, 2011). Since then, awareness of the problem has grown. Remedying copyfraud, however, remains a challenge. The lawsuit against Getty might help clarify when existing law provides tools for protecting the public domain. More likely, however, is that the outcome of the case will shed further light on the need for comprehensive reform if copyright is to be kept within its proper limits.  

Celebrating Five Years of Education & Advocacy at Authors Alliance

Posted May 15, 2019

In honor of our fifth birthday, we’re sharing this collection of highlights from the first five years of Authors Alliance. Many of our members have been with us from the beginning, and we thank you for your ongoing support and engagement. For our newer members, we hope this overview is a helpful summary of what we’re all about. And if you’re not yet a member of Authors Alliance, we encourage you to join today!

Year 1: 2014

Authors Alliance was launched in May 2014 by our founding board members Pamela Samuelson, Carla Hesse, Tom Leonard, and Molly Shaffer Van Houweling, all of UC Berkeley.

It all began in with a kickoff event at the Internet Archive in San Francisco, where we released a set of principles and proposals to guide copyright reform efforts in order to better support public-minded authors and creators.

In July of 2014, we filed an amicus brief in the Authors Guild vs. Google case in support of Google’s fair use defense, arguing that authors who write to be read benefit from Google’s digitization and indexing of their books because this makes works more discoverable without threatening commercial interests. Fair use continues to be a key advocacy issue for Authors Alliance today.

In September, Mike Wolfe was hired by the Board as Executive Director—the first (and, for a time, the only) employee of Authors Alliance. Mike took over our policy and communications and was responsible for shaping our agenda and our initial successes as an organization.

We also kicked off our series of educational guidebooks with Understanding Rights Reversion: When, Why & How to Regain Copyright and Make Your Book More Available. The book is a step-by-step guide to working with publishers to regain rights to books so that they can be made available in the ways that authors want.

Year 2: 2015

2015 marked our first full year as an organization. A grant from the John D. and Catherine T. MacArthur Foundation provided crucial support that enabled Authors Alliance to expand our operations, and thanks to a grant from the Andrew W. Mellon Foundation, we expanded the scope and reach of our rights reversion project, taking our message to audiences at workshops around North America. To demonstrate the benefits of rights reversion, we also kicked off our series of “Rights Reversion Success Stories” in 2015, and we continue to feature these and other success stories on our blog today.

In July, Erika Wilson joined Authors Alliance as our Communications & Operations Manager and first full-time staff hire.

November saw the launch of our second educational guide: Understanding Open Access: When, Why & How To Make Your Work Openly Accessible. The guide encourages authors to consider open access publishing by addressing common questions and concerns and by providing real-life strategies and tools that authors can use to work with publishers, institutions, and funders to make their works more widely available.

Year 3: 2016

In April, we welcomed Jeffrey MacKie-Mason to the Authors Alliance Board of Directors, expanding the number of board members to five.

Also in April, as a companion to our rights reversion handbook, we released a concise guide to writing a reversion letter. Complete with templates, this mini-guide assists authors in approaching their publishers to initiate a productive conversation with the goal of regaining rights.

In October, we launched the beta version of This online tool, developed with our allies at Creative Commons, is designed to help authors navigate the termination of transfer provisions of U.S. copyright law. Complementing our efforts around rights reversions, our tool helps authors (or, in some cases, their family members) to regain rights to creative works signed away many years ago.

We also responded to the U.S. Copyright Office’s call for further comments regarding anti-circumvention provisions in Section 1201 of the Digital Millennium Copyright Act. This comment supported a permanent exemption that would improve access to copyrighted works by people who are print disabled.

Year 4: 2017

The beginning of 2017 was bittersweet, as we said farewell to founding Executive Director Mike Wolfe, and welcomed Brianna Schofield as our ED. Although new to this role, Brianna was no stranger to Authors Alliance; she already had extensive experience in working on our core issues as a co-author of all of our educational handbooks.

In 2017 we celebrated the publication of Fair Use for Nonfiction Authors: Common Scenarios With Guidance from Community Practice, a guidebook designed to help nonfiction authors make confident fair use decisions when incorporating source materials into their works.

We also continued our policy efforts in support of fair use. In February, we filed an amicus brief with the 11th Circuit in Cambridge University Press v. Albert, arguing that incentives to write and publish scholarly works would not be impaired by a ruling that nonprofit educational uses of chapters from scholarly books is fair use.

We continued to engage with the U.S. Copyright Office on behalf of our members. In March 2017, we supported the case for authors’ non-economic rights, including attribution, integrity, and the rights to revise and revive one’s work. An in July, we recommended way the Office can modernize copyright recordation to improve records and reduce the number of works likely to become orphans.

In October, we launched our Termination of Transfer tool at out of beta and, to complement the tool, developed guidance and templates for notices of termination.

Year 5: 2018

Our key milestone for 2018 was the release of our guide to Understanding and Negotiating Book Publication Contracts. This guide is the newest addition to our growing library of resources for authors, which also includes handbooks on rights reversion, open access, and fair use. The guide helps authors understand how to approach negotiation, what kinds of clauses to look for (and which to avoid), and how to engage in productive conversations with agents and publishers to ensure author-friendly contracts that align with their creative and pragmatic goals.

Understanding and Negotiating Book Publication Contracts would not have been possible without the support of our community of friends and members. We ran the first-ever Authors Alliance Kickstarter project, “Know Before You Sign on the Dotted Line,” in the spring, and we were thrilled to exceed our funding goal, thanks to our project backers.

We also released a report, Authorship and Accessibility in the Digital Age, based on a roundtable discussion among content creators, technologists, attorneys, academics, and advocates about the role of creators in making digital works more widely accessible to people with disabilities.

Among our other advocacy efforts in 2018, we endorsed the Controlled Digital Lending Position Statement and released a statement explaining how digitize-and-lend models can help authors reach readers. We continued our advocacy for exemptions to the Digital Millennium Copyright Act. At World Intellectual Property Organization committee meetings in Geneva, we made the case for reasonable international limitations and exceptions to copyright for educational and research purposes, sharing how they can benefit authors and encourage the diffusion of knowledge. We also weighed in on termination of transfer provisions under consideration in South Africa and Canada.

Also in 2018, Authors Alliance received a $500,000 grant from Arcadia—a charitable fund of Lisbet Rausing and Peter Baldwin—to enhance the ability of institutions to serve the scholarly communications needs of their author communities. Thanks to this two-year grant, we are currently developing the Authors Alliance Partner Program (A2P2), a suite of training and curricular materials for scholarly communications officers, librarians, and other staff at member institutions.

We look forward to continuing this work throughout 2019 and beyond, with the goal of making our institutional member portal a one-stop shop for scholarly communications information and resources that will increase the capacity of those who advise and serve authors.

Authors Alliance Fifth Birthday Top 5 List

Posted May 8, 2019

We appreciate all the ways that our members and friends show their support for Authors Alliance. In honor of our fifth birthday, here are the top 5 ways you can help us carry out our mission in support of authors’ rights!

Attend our birthday party in Berkeley on May 15

Photo of open sign

If you’re not already a member, join today

$50 bills in jeans pocket

Donate or shop our online store

Spread the word on Twitter and Facebook

Four Authors Alliance guidebooks displayed on a shelf

Use our resources and let us know what you think

Introducing the Authors Alliance Partner Program (A2P2)

Posted May 6, 2019

Authors Alliance, a leader in providing high-quality educational resources that help authors understand and manage their rights, is launching the Authors Alliance Partner Program (A2P2), a new membership option for organizations.

By joining A2P2, organizations can leverage our expertise in copyright, open access, publication contracts, and getting rights back in order to expand the capacity of library and scholarly communications professionals to serve faculty, researchers, and students. Together, we can help authors manage rights throughout their careers and improve the availability and discoverability of knowledge and culture.

Why join A2P2?

  • Save time and enhance your capacity to provide up-to-date, reliable, and consistent rights management education to authors with our teaching and learning resources.
    • “Workshops in a box” that contain everything you need to prepare for and deliver workshops on topics that help authors manage rights throughout their publishing lifecycle, from negotiating for author-friendly terms in a publication contract to getting rights back.
    • Webinars and other professional development resources to support your training activities.
    • A curated collection of third-party materials that form a one-stop shop for trusted training and curricular resources.
  • Stay informed with our quarterly newsletter and periodic issue briefs that help you navigate developments in the rapidly changing publishing landscape.
  • Help steer our resource and policy agenda through priority member channels that offer you the opportunity to weigh in on our advocacy to advance sound copyright policies and provide input that will guide the development of our author-facing resources.
  • Support the community of authors and institutions working together to expand access to knowledge and culture for the public good.

A2P2 member benefits will be developed and rolled out during a pilot phase, which runs from August 2019 through July 2020. A limited number of discounted A2P2 pilot subscriptions are available. To learn more about being a part of the group that will shape our services during the 2019-2020 academic year, contact us at

We are grateful to Arcadia—a charitable fund of Lisbet Rausing and Peter Baldwin—for a grant to support this initiative.

Become an Authors Alliance Member Today!

Posted May 1, 2019
photo of a man floating in green water and reading a book
Photo by Toa Heftiba on Unsplash

As we celebrate our fifth birthday this May, we’re holding a membership drive to encourage those who are not yet members of Authors Alliance to become a part of our community. Read on for more details! And if you’re already a member, you can help us out by spreading the word to your friends.

Authors and creators of all kinds are welcome to join Authors Alliance. Our members include fiction and nonfiction authors, poets, researchers, and journalists. They are unified by their commitment to have their work be read, seen, and heard.

Why Join?

Members are the first to receive updates on our educational resources and advocacy. They help guide our efforts and are an important source of financial support. Not only that, but membership in Authors Alliance is free!


Authors Alliance provides resources and guidance designed to help creators better understand and leverage their rights. We aim to demystify the contracts, copyright law, institutional policies, and jargon that stand between authors and their audiences.


We give voice to our members and to those authors who share our mission by promoting policies that would make creative works accessible, discoverable, and properly attributed so as to reflect their authors’ contributions to knowledge and culture.


Your membership demonstrates your commitment to the progress of culture and knowledge and makes you the first to receive updates on activities and resources.


Members are our most important source of financial support. Authors Alliance is a public-supported 501(c)(3) organization that relies on members’ tax-deductible donations to run effectively.

We’re committed to making our resources available to all, and membership in Authors Alliance is free (although donations are gratefully accepted).

What are you waiting for? Become a member today!

U.S. Copyright Office Releases Report on Moral Rights

Posted April 29, 2019
Painting of author at desk in blue robe
“Author from BL Harley 4425, f. 133” by Guillaume de Lorris and Jean de Meun is licensed under PDM 1.0

In March 2017, Authors Alliance submitted comments in response to the U.S. Copyright Office’s study of moral rights. We voiced our support for creators’ rights to integrity and attribution (subject to limitations and exceptions that protect downstream creative reuse), and our belief that these non-economic authorial rights should be formally recognized in U.S. copyright law—as they are in many other countries. We also encouraged the Copyright Office to consider recognizing other non-economic author rights, namely, the right to revive one’s work if it is no longer available commercially and the right to revise one’s work over time.

Last week, the Copyright Office released a report, Authors, Attribution, and Integrity: Examining Moral Rights in the United States, which provides a review of the U.S. moral rights landscape and recommendations for enhancing existing moral rights protections. The Copyright Office identifies three principles that guide its analysis of a U.S. moral rights framework: respecting foundational principles of U.S. law (including the First Amendment, fair use, and limited copyright terms), appreciating the importance creators place on their attribution and integrity interests, and recognizing and respecting the diversity among industry sectors and different types of works.

Based on these principles, the Office concludes there is no need for the creation of a blanket moral rights statute at this time. Instead, the Office recommends that Congress should consider legislation targeted at specific areas, including amending the Lanham Act and the Visual Artists Rights Act (VARA) to better protect attribution and integrity interests, expanding recourse for removal or alteration of copyright management information, and adopting a federal right of publicity law. These recommendations are detailed in the Office’s report.

Although we are disappointed that the Office declined to recommend that Congress consider new statutory moral rights legislation at this time, Authors Alliance commends the Office for recognizing that attribution and integrity provide meaningful incentives to authors to create new works and that the value to authors of reputational enhancement by virtue of public dissemination of their works is meaningful to authors.

Authors Alliance will continue to speak out for the right of authors to be acknowledged as creators of their works. As we wrote in our founding Principles and Proposals for Copyright Reform, attribution serves not only the interests of authors, but also the reading public’s interest in knowing whose works they are consuming and society’s interest in an accurate record of the intellectual heritage of humankind.

Accessibility Resource Roundup

Posted April 23, 2019
Colorful neon sign of a cowboy on a rearing horse
photo by Jakob Owens on Unsplash

April 23 is World Book and Copyright Day, an annual event organized by UNESCO to promote reading, publishing, and copyright around the world. In that spirit, we’ve compiled this list of resources on the topic of accessibility.

Earlier this month, the WIPO Standing Committee on Copyright and Related Rights (SCCR) held its 38th Session in Geneva. (Although we didn’t attend this session, Authors Alliance has traveled to previous sessions of the SCCR to advocate for reasonable limitations and exceptions to copyright for educational and research purposes.)

One item under consideration at the most recent meeting was the Revised Scoping Study on Access to Copyright Protected Works by Persons with Disabilities. The report, prepared by Professors Caroline Ncube of the University of Cape Town and Blake Reid of the University of Colorado, was based on this 2017 WIPO fact-finding study. It defines various categories of disabilities in order to better identify which formats qualify as accessible for different types of users and analyzes the copyright laws of the 191 WIPO member states in the context of copyright exceptions for persons with disabilities.

In addition to co-authoring the WIPO/SCCR report, Professor Reid also has a new article on Internet Architecture and Disability (forthcoming in the Indiana Law Journal). As the abstract states, “[t]he prevailing doctrinal approach to Internet accessibility seeks to treat websites as metaphorical ‘places’ subject to Title III of the ADA, which requires places of public accommodations to be accessible to people with disabilities. While this place-centric approach to Title III has succeeded to a significant degree in making websites accessible over the last two decades, large swaths of the Internet—more broadly construed to include Internet technologies beyond websites—remain inaccessible to millions of people with a variety of disabilities.”

Also available in pre-print format is the Book Industry Study Group (BISG) Guide to Accessible Publishing (currently in draft for public pre-publication review). This major reference work is a newly updated and greatly expanded edition of the previous 2016 version and contains a comprehensive guide to creating accessible content, a glossary, and a series of “cheat sheets” that break down topics into user-friendly summaries. As the Introduction states, “Maybe someday we’ll be able to stop describing publications as ‘accessible,’ because it will be taken for granted. It’s hoped that this Guide helps us get there.”

Last but by no means least, the International Federation of Library Associations and Institutions (IFLA) has released “Getting Started With the Marrakesh Treaty: A Guide for Librarians.” As we’ve written previously, the treaty creates a set of mandatory limitations and exceptions for the benefit of blind, visually impaired, and otherwise print disabled readers. It requires that contracting states enact copyright exceptions that allow books and other creative works to be made available in accessible formats, such as braille and audiobooks, and to allow for the import and export of such materials. Now that over 50 countries around the world (including the United States) have acceded to the Marrakesh Treaty, the IFLA guide—available in five languages—provides hands-on guidance on international copyright issues to libraries to facilitate availability of materials according to the requirements of the treaty.

For further reading on the topic of accessibility, see also our previous resource roundup, released in the fall of 2018 in connection with our report on Authorship and Accessibility in the Digital Age.

Spotlight on Book Publication Contracts: Follow the Money

Posted April 16, 2019

Shelf with colorful books and Authors Alliance logo on blue background
In our Spotlight on Book Publication Contracts series, we are shining the light on the ways that authors can negotiate for publication contract terms that help them make and keep their books available in the ways they want. This series is based on the information, strategies, and success stories in our guide to Understanding and Negotiating Publication Contracts. Be sure to check out the online or print version of our guide for more details on these and other strategies to help you meet your creative and pragmatic goals.

In previous posts, we have featured ways authors can shape their publication contracts to retain some control over their rights and ways authors can have a say in how their works will be presented to the world. But rights management and design decisions may not be the only thing on your mind in a book deal. In this installment of our Spotlight on Publication Contracts, we’re focusing on ways that you can shape your contract to help secure fair compensation for your work. Contract terms governing advances and royalties are two key ways that your contract determines what money will flow to you.


Advances are payments for book deals that are credited against all or some part of your future earnings. An author’s advance is influenced by many factors, including the potential market size for the book, whether the author is a new or established writer, the book’s timeliness and competition, and a publisher’s calculation of risk and reward.

A perennial question for authors is “How big should my advance be?”. Unfortunately, there aren’t any hard-and-fast rules about the size of an advance. Sometimes, it makes sense to negotiate for the biggest advance possible. Because an advance is a credit against your royalties, if your publisher pays you a big advance, it has an incentive to market your book aggressively so that it sells enough copies to recoup this payment.

Success Story: An author interviewed for Authors Alliance’s guide to Understanding and Negotiating Book Publication Contracts wanted his book to be affordable and to be widely distributed, and he knew marketing would be important. Not being familiar with the publishing business, he hired an agent. The author and his agent pushed for a large advance in exchange for a modest cut in his royalty percentages. This way, the publisher would have the biggest financial incentive to market his book, as it stood to make more money once the author recouped. Further, the author agreed to use half his advance to hire an independent publicist to promote his book. This made it easier for his publisher to agree to a large advance as this increased the likelihood that the author’s book would be financially successful.

On the other hand, it’s possible that you may not receive an advance at all. While advances are typical in trade publishing, they are uncommon for scholarly works published by university presses. And, in certain circumstances, you might not want to take an advance. For example, your publisher may offer you a higher royalty percentage if you don’t take an advance, which could result in you earning more money over the long term if your book is successful. Or, you might be able to use a low (or no) advance as a bargaining chip to get better terms in another part of the contract.

Whatever the size of the advance you settle on, it’s important that you pay attention to how and when your advance will be paid and how your advance will be recouped. For more on advances, see pages 182-194 of Understanding and Negotiating Book Publication Contracts.


Royalties are the amount of money that authors get from the sales of their books, usually expressed as a percentage. There are three main types of royalties:

  • royalties based on the book’s published price (also called the “list price,” the “cover price,” or the “manufacturer’s suggested retail price”);
  • royalties based on the publisher’s net income from sales of the book (also called “price received” or “sales proceeds”); and
  • royalties based on the publisher’s net profit.

To calculate your royalties under any of these systems, you’ll need to know both the percentage you will be receiving and the price from which that percentage is taken. It is very important to understand your royalty structure because it can make a huge difference in your future bank statements. For a detailed explanation of each royalty type, see pages 198-205 of Understanding and Negotiating Book Publication Contracts.

Success Story: Sergio Troncoso, an author of short stories, essays, and novels, as well as a savvy negotiator, pushed for his royalties to be a percentage of the list price, reasoning that this would likely be the more lucrative option. His publisher was initially resistant, but after a few rounds of back and forth, Sergio’s patience and perseverance paid off. His publisher agreed to a compromise: Rather than getting the published price (list) royalty he had asked for, he would receive a higher percentage of the net profit royalty than was originally offered.

Your royalties can also be influenced by escalation clauses, small reprinting provisions, reserves on returns, deep discount provisions, and remaindered books. For more on these topics, see pages 206-213 of Understanding and Negotiating Book Publication Contracts.

You’re Invited! 5th Birthday Party With Authors Alliance and Special Guests on May 15

Posted April 10, 2019

You are cordially invited to “Beyond the Bookshelf: Empowering Authors and Reaching Readers in the Digital Age,” an evening of conversation and ideas celebrating five years of Authors Alliance. The party will be held at the David Brower Center in downtown Berkeley on Wednesday, May 15.

We’ll kick things off with a wine and appetizer reception, followed by a panel discussion on how authors create, share, and preserve knowledge in an ever-changing media landscape.

Our panelists include:

Brewster Kahle, Digital Librarian and founder of the Internet Archive
Jeffrey MacKie-Mason
, University Librarian and Chief Digital Scholarship Officer, UC Berkeley
Abby Smith Rumsey
, Historian of ideas focusing on the creation, preservation, and use of the cultural record
Randy Schekman
, 2013 Nobel Laureate and Professor of Cell and Developmental Biology, UC Berkeley

The panel will be moderated by Authors Alliance co-founder Molly Shaffer Van Houweling.

Don’t miss the opportunity to celebrate five years of education and advocacy with the Authors Alliance team and special guest Lawrence Lessig, Professor of Law and Leadership at Harvard.

This event is free, but seating is limited and registration is required. For details and to RSVP, please visit our event page.

If you are unable to attend but would like to make a gift
in honor of our fifth birthday, please donate here.